Friday, June 28, 2019

Anointest My Head With Oil by Debbie Viguie




In this 16th installment of the Psalm 23 Mysteries synagogues are being burned. Now it seems that Jeremiah's synagogue may be targeted next. What is the motive behind the fires? Why are synagogue's being targeted? Is this just another hate crime, or is there more to this mystery?

You would think that fans of the Psalm 23 Mysteries would be getting tired of the series, but truth is we are desperate for more of Jeremiah and Cindy! We are getting close to the end(7 books away) and a promise of a spin-off series...so exciting! ANOINTEST MY HEAD WITH OIL did not disappoint in the excitement element. All of our favorite characters were present and accounted for, and it looks like slowly but surely we are getting some answers to the original mystery of who Mark's former partner Not Paul really was. As a fan of the series I hold my breath each time a new installment comes out thinking that author Debbie Viguie may eventually start killing off my favorite characters! Please NO! Too much time and emotions have been invested in reading this series to then have that happen!  We are once again left hanging at the end of the book ready for the next one which should be out in August 2019. Here it is 2 days after finishing the book and I am still immersed in it and finding it hard to move on to my next read! I highly recommend the series, if you start now and take your time maybe the series will be finished and you won't ever have to wait for the next installment like I've had to.





Wednesday, June 26, 2019

Age in the Art of the Kiss: Guest Post by Author Holly Schindler

Just a Number? Age in The Art of the Kiss – Holly Schindler

Some people call them seniors. Boomers, maybe. White-hairs.

Others might refer to them dismissively as over the hill. Old.

Just that word—old—is never really used as a compliment, is it? Young is. But old? It implies vibrancy and beauty is behind you. Well—in some ways, it implies pretty much everything is behind you, doesn’t it?

But I’ve been incorporating “white-hairs” since the beginning of my writing career. One of the most important characters in my first release, A Blue So Dark (a YA), was Nell—the main character’s grandmother. And in The Junction of Sunshine and Lucky, my first MG, the main character, Auggie, lives with her Grampa Gus. Neither one of those books would have ever been possible without those participants. They hold the key to the past. They understand the main characters in a way no one else does, helping to guide them toward their best, most satisfying story conclusions.

…But that shouldn’t be it. It doesn’t make sense for that to be it. Those older voices have the most life experience. They’re smarter. They have a better sense of people—and the human condition. They have raised families, maintained careers, built businesses from the ground up.

And yet, we do see these older forces, primarily, in supporting roles. I even address this idea in a passage in The Art of the Kiss:

“‘What do old people do in fairy tales?’ Michael was saying now, his voice pouring through my radio. ‘Old folks are never given a Prince Charming role. They’re around for no other reason than to put roadblocks in the main characters’ way—to throw them in towers, turn them into toads, or feed them poison apples. That, or they become helpmates. They’re fairy godmothers. They don’t have a story of their own. They’re around to help somebody else—the struggling star of the current tale—find their way.

“‘Think about that. Old characters don’t have a story of their own anymore. They’re not cast in the starring role. Ever.’”

In this section, Michael’s talking about himself—and his wife, Sharon, who’s listening in. One of my favorite parts of The Art of the Kiss is that, yes, the older characters do play the role of helpmate. 

Sharon, for example, takes on the role of mentor. As a woman who rose to the top of her profession in the photography world, she can work wonders in helping to guide the younger Heather as she tries to forge her own photography career. But in many respects, Heather plays the same role of helpmate to Sharon, waking her up from her kind of self-induced “spell.” An “old-age coma,” as Michael calls it. Heather pushes Sharon to view herself not as someone who once before had a rise to fame and chance to shine, but as a woman with plenty still left to say.

I love the idea of a younger character becoming the helpmate to the older generation. The older generation being able to keep moving, keep working, keep forging new successes in life.

In many respects, I believe characters in the “senior” age group provide a writer’s dream scenario: they’ve got the longest, richest backstories. Time to have built the most complicated relationships. And, often, they’re in positions to start new life adventures—either on their own or with younger characters.

To me, it seems an enormous mistake to simply dismiss a character as some old “white-hair” when they have so much to contribute—so many ways that they can help shape the narrative. I feel the vast majority of my books (whether they’re books for younger readers or adult novels) would suffer without the inclusion of characters in this age group. 



Holly Schindler
HollySchindler.com
Starred reviews: Publishers Weekly and Booklist
Silver Medal, Foreword INDIES Book of the Year
Gold Medal, IPPY Awards

Tuesday, June 25, 2019

Writing The Art of the Kiss: Guest Post by Author Holly Schindler


Writing The Art of the Kiss – Holly Schindler  

I’ll be honest—The Art of the Kiss gave me a ton of headaches and had a ton of false starts.

I must’ve started this book about fifty different times, with just as many different ideas for its overall layout: I tried going at it from Heather’s POV, with the idea that the story was entirely hers. Michael and Sharon would be purely secondary characters. I then tried the opening chapters from Sharon’s POV, with the idea that she would narrate the entire book. And, similarly, I started it from Michael’s, again thinking it would be entirely his story.

Along the way, I realized how much of a traditional fairy tale heroine (specifically, Cinderella) Heather seemed to be. So I started yet again, incorporating fairy tale elements.

And each time, I’d only get a few chapters in before I hit a wall.

So I tried coming at the project using a completely different game plan: writing chapters out of order. I used to write chronologically, but more and more, I’ve begun working through tough spots by drafting a handful of dramatic scenes out of order, then arranging the scenes in a way that builds and creates tension. Finally, I stitch the narrative thread together, bringing all the pieces together cohesively. I’ve found this strategy can work wonders with getting through the middles of novels, which can be a real slog for me. Those middles can feel tighter right from the start—mostly because this technique makes sure I draft far fewer extraneous chapters in an effort just to get my characters headed toward the proper ending. Like I said, I’d used this technique before when drafting sections of books (those pesky middles), but never with an entire novel. Still, I decided to do just that with the entirety of The Art of the Kiss—to write all of the most dramatic scenes. Then, I’d connect them with a cohesive narrative thread.

Immediately, I found myself stuck yet again. After all those other starts and stops and attempts, I still had the same basic core problem: whose viewpoint was I going to write from? Whose story was this? Heather’s? Sharon’s? Heather’s friend Amanda? Heather’s ex Ryan? Michael? That “magical” camera?

The camera.

I played with that for a bit. Then it hit me: snapshots.

The story needed to be told in snapshots. After all, don’t photo albums tell the stories of our lives? And here’s the kicker: often, the photos in family albums aren’t grouped chronologically either, but in themes: Christmas albums, baby albums, wedding albums, summer vacations…And once we’ve flipped through all those albums, don’t we see, in flashes, pictorially, the family’s entire story? The big picture—not just of one person, but all those interconnected people?

Suddenly, it all came into focus. (Aw, come on—I had to get at least one camera pun in there.)
Seriously, though, I really did know at that point—it wasn’t just Sharon’s story. Or Michael’s. Or Heather’s. It was their story. And the best way to tell it (especially since a camera was at the heart of it all) was most definitely in snapshots. Vignettes. Images. Asides. Newspaper clippings. That way, I could show it all, every single alternating theme: past vs. present, youth vs. more advanced age, raw talent vs. achievement.

Suddenly, all those supposed false starts didn’t seem so false at all. Not if we were going to hear from all the characters. In fact, for the most part, those early chapters wound up becoming integral parts of the novel.

More than any of my books, The Art of the Kiss was the one that truly dictated to me how it would be told. It’s also the book that I think taught me the most. It’s the book that taught me to truly listen—rather than trying to force a book into being what I want it to be, it taught me to let it grow and develop in the way that’s most appropriate for that particular story.

In all honesty, it seems to me that this really is key: learning from each novel. Being willing to experiment with technique and organization. Really pushing yourself to grow as a writer with each and every new story you want to tell.

Holly Schindler
HollySchindler.com
Starred reviews: Publishers Weekly and Booklist
Silver Medal, Foreword INDIES Book of the Year

Gold Medal, IPPY Awards


Return tomorrow for another guest post by Holly Schindler where she shares about Age in The Art of the Kiss.

Monday, June 24, 2019

The Art Of The Kiss by Holly Schindler


ABOUT THE BOOK:


A young photographer, an old camera, and a bit of magic disturb the dust, setting in motion events that will reawaken a love story fifty years in the making.

This is not your typical love story.
It’s about the guts of a long-term relationship. It’s about dreams and the loss of youth and fame. It’s something of a reinvented fairy tale. It’s a little bit magical.
So sure, it’s about love. But it’s also about much, much more.
The Art of the Kiss is told in snapshots, in a non-linear format, with multiple POVs. This novel demanded it be written in a somewhat non-conventional way.


~THE ART OF THE KISS~
Can you have more than one happily ever after?
Taken in a flash at the beginning of their life together, Sharon Minyard’s portrait of herself and her husband, Michael, hangs on her studio wall as a testament to the possibility of love.
Once drawing crowds to gaze in wonder, it has since become all but forgotten—until a young photographer, an old camera, and a bit of magic disturb the dust, setting in motion events that will revive its meaning…

Showing—in black and white—that in a town named Fairyland, the dream of forever is but a snapshot away.

ABOUT THE AUTHOR:


Holly Schindler is a multi-award-winning and critically acclaimed author of books for readers of all ages. She holds a master's degree in English (creative emphasis), and has taught writing courses at the
collegiate level. Schindler has also mentored extensively: honing students' creative and scholastic writing, and providing developmental edits to both published and unpublished writers for novels in a variety of genres. A firm believer that reading is as creative an activity as writing, she has worked one-on-one with students in grades K-12 to improve overall literacy skills.

Schindler insists that nothing is quite as magical as a good story or an exciting new "what-if." She is currently chasing down her next "what-if" as she writes her next book. She also loves hearing from her readers. If you'd like to get in touch or subscribe to her newsletters, please visit her online at:

                               HollySchindler.com
Starred reviews: Publishers Weekly and Booklist
Silver Medal, Foreword INDIES Book of the Year
Gold Medal, IPPY Awards



MY REVIEW:

I am always all about the "Happily Ever After" in a story. But what happens after Prince Charming and the Princess meet, fall in love and ride off into the sunset?

Michael and Sharon Minyard have had over 50 years together. In their "Once Upon A Time" beginning Sharon, a photographer, took a picture of she and Michael that once stopped traffic in their town of Fairyland. Yes, you read that right! Their town is named Fairyland so of course the reader expects magical things to happen there.

Enter another story featuring a young photographer named Heather, a villain in the form of a best friend, and a dusty old camera, and let the magic begin!

The Art of the Kiss had so many feels for me! I love a story where a couple has been together for such a long time. Anymore that in itself is a fairy-tale filled with magic. I have to say that Michael and Sharon's story resonated with me more than Heather's story. Oh, I understand that Heather was an important part in Michael and Sharon getting back on track, but I loved the exploration of Sharon and Michael's feelings. I loved how Michael set about to wake his princess up again. I loved the exploration of the feelings of being invisible or forgotten just because they now have white hair and wrinkles. I loved all of the photography descriptions. I love that Michael and Sharon get to explore another facet of their Happily Ever After. Because after all...Happily Ever After doesn't mean THE END.

I loved The Art of the Kiss and highly recommend it as it is now going on my favorites shelf!

Come back tomorrow for a guest post by the author on her writing process for The Art of the Kiss.





Wednesday, June 5, 2019

Maid Of Murder by Amanda Flower



India Hayes dreads her stint as a bridesmaid in an old friends wedding, especially after she sees the dress she has to wear. But when Olivia, the bride-to-be, is found dead in the college fountain and India's brother is accused of the murder, India has no choice but to find out who killed her.

This is author Amanda Flower's first novel she published. I enjoyed it very much. Not my favorite of her novels, but I still enjoyed it. I thought the mystery was pretty solid even though I figured out who the murderer was way before the book ended. I plan to eventually read the second book in the series MURDER IN A BASKET to find out what India's next adventure is. I also am thinking she may eventually hook up with her sisters ex boyfriend! I wasn't happy with India's parents. Her mom is a minister and they are both activists. I thought for a minister her mom was a bit over the top in her activism and also a bit hysterical and mean to India. Amanda Flower's sense of humor that carries through all of her writing was present and had me chuckling throughout. A nice cozy mystery!


Tuesday, June 4, 2019

More Than Words Can Say by Karen Witemeyer


The town council has told Abigail Kemp that she may not own and run her families bakery. She must either go in business with a man or close her business down. Abigail refuses to give up her business that easily. Abigail comes up with an idea to keep her business and have a man's name on the deed without giving up her freedom to run it the way she wants.

Zacharias Hamilton is enjoying his freedom. Having raised his adopted brother and sister from the time he was 13 Zachary is enjoying his crusty bachelorhood with nobody demanding anything from him. When Abigail comes to him with a proposal he is all set to tell her NO, until her sister comes to him and begs him to change his mind. Zach tells himself he can't resist helping a woman in distress, but Abigail's dimples don't hurt the deal much either.

It doesn't take long for Abigail's business deal with Zach to turn into affection and caring on both their parts. But does their relationship even have a chance with both of them keeping secrets?

First off I really love Zach and Abigail. I love how Zach wanted to take care of Abigail and her sister from the beginning. He was honorable and treated her well. Abigail in turn did the same for Zach. She fed him, made sure he was comfortable, supported him. She even cared for his spiritual well-being in that she wanted to help him heal from his childhood. I did have a few issues though with the story. I felt like a lot of time was spent on the two characters wanting to cement their relationship physically but things kept getting in the way. And then I really had an issue with Zach's referring to God as The Big Guy or The Big Man. It is a huge pet peeve of mine to have God referred in such a casual or cavalier way. It is so disrespectful and dishonoring and Zach's character did it a lot. I understand that he was unpolished etc. but as I said, it is a pet peeve. Moving on. I also had an issue with the author constantly referring to Abigail as too curvy or pudgy or round or any reference to her weight. I understand that that is what was part of Abigail's insecurity, but it seemed a trifle over-done. The rest of the story I totally enjoyed. I found myself getting very angry at the antagonist of the story, former friend Sophia. I could never have been as patient as Abigail was, but I loved the way she finally found her confidence to stand up to her. I loved seeing Zach's brother and sister from MORE THAN MEETS THE EYE and seeing how they were doing. I hope there will be another book in the series so that we can find out how Abigail's sister Rosalind does as she leaves the nest. A sweet romance, a bit of danger and a happy ending, made this reader very content.

Check out my review of:

More Than Meets The Eye

**I received my copy from NetGalley. All opinions are my own**